faculty becomes a closed system. Prior to such outering there 
is entire interplay, among experiences. This interplay or 
synesthesia is a kind of tactility such as Blake sought in the 
bounding line of sculptural form and in engraving.

     When the perverse ingenuity of man has outered some 
part of his being in material technology, his entire sense ratio is 
altered. He is then compelled to behold this fragment of himself 
“closing itself as in steel.” In beholding this new thing, man is 
compelled to become it. Such was the origin of lineal, 
fragmented analysis with its remorseless power of 
homogenization:

                                 The Reasoning Spectre
               Stands between the Vegetative Man & his Immortal 
                             Imagination. (2)